FEATURE ARTIST: Stellar Addiction

L to R: Gholdwayne, Danny, Stacey, Tanya, & Tom - Photo taken in St Peters by Rod Manning

Stellar Addiction are a five-piece, self-proclaimed pop/punk act that call Sydney home. The band consists of Stacey Abdilla on lead vocals, Tanya Carboni on drums, Gholdwayne Tagud & Tom Hockey on guitar, and Danny McMartin on bass.

Stellar Addiction's debut album 'Full Moon Sky' was met with great acclaim, and even gained them a fanbase in Japan, where they returned from touring recently. 'Full Moon Sky' is full of textbook pop-punky tracks, but things are looking to take a slightly darker turn with their upcoming single, 'Unbroken'. The catalyst for the song was a piano riff that drummer Tanya was toying with, which singer Stacey overheard and went to work immediately writing lyrics for the melody. All of a sudden, their new track had materialised - MusicMinded was lucky enough to get their hands on a sneak preview copy of 'Unbroken', and we were suitably impressed.

The song opens with a haunting, reverb-filled guitar arpeggio, which lays the foundation for the enveloping atmosphere of the song. Vocals are introduced and add to this melancholy atmosphere, but this feeling of loss is countered by the soaring guitar licks in the background. 'Unbroken' is a change of pace from Stellar Addiction's previously characteristically spunky tracks, but maintains their signature clean, crisp, and oh-so-easy on the ears sound. The bridge adds a little textbook punk aggression with heavier guitars and double-kicking drums, and holds on to end the song with a bang. As noted by the band themselves, the subject matter and lyrics of 'Unbroken' are very inclusive and can apply to any and all who have witnessed a close relationship of any kind break down.

'Unbroken' has an overwhelming vibe that is reminiscent of what is arguably the golden era of pop-punk - the mid-to-late 2000s. This was a time when bands like Fall Out Boy and Paramore became world-renowned for their somewhat contradictory formula - ballads with legendary vocals, sombre lyrics, but instrumentation that you couldn't help want to headbang to. Stellar Addiction have produced their own brand of this formula and will no doubt introduce it to a brand new audience. 'Unbroken' is incredibly anthemic and could easily be played to a stadium of thousands, who I have no doubt would be able to sing back, word for word.

Singer Stacey was kind enough to answer some questions about Stellar Addiction:

Okay, let’s run through the band… Who is who, and who does what?

Stacey - Vocals

Tom - Guitar

Goldwyn - Guitar

Danny - Bass 

Tanya - Drums

Which bands/artists do you draw inspiration from?

As a band we draw inspiration from a variety of artists/bands across a range of genres. I have personally been listening to a lot of PVRIS, Bring Me The Horizon, Tonight Alive and The Amity Affliction lately. Some all time faves of mine are Silverchair, Grinspoon, No Doubt, Karnivool and John Butler Trio.

Do any of you have any formal musical training?

Yeah, I did 10 years classical training in voice and 2.5 years contemporary music at TAFE. Tanya learnt classical/contemporary piano from the age of 4 and studied Bachelor of Music at university. The boys have had lessons here and there but nothing quite as formal.

Other than musical training/education, did any of you undertake any courses or employment that people may not expect from members of a pop/punk band?

I'm a makeup artist / teacher / cook / online makeup store owner / bar tender and have been a promo girl, retail manager, waitress, model, fast food hahaha so basically I can't sit still for 5 minutes. I think we have all done a bit of everything. 

The sound (mixing etc.) on your last album ‘Full Moon Sky’ is exceptionally crisp – have you kept the same post production techniques to replicate the sound of your last album?

We work with an amazing engineer/producer Chris Blancato who always helps us get the sound we are going for. He has recorded all of our material to date including our upcoming single "Unbroken". The track itself is a little darker, but the sound is definitely signature of our collaboration with Chris. 

In three words, how would you describe the atmosphere and emotion of your new release ‘Unbroken’?

Sombre, powerful, awakening 

L to R: Gholdwayne, Danny, Stacey, Tanya, & Tom - Photo taken in St Peters by Rod Manning

As a band, what is your favourite band activity; writing songs, recording songs, or touring? Why?

Definitely touring. Getting to hang out, play music, experience new cultures together when we go international, and falling in love with places and people. It's kind of like a reward for all the hard work we do when writing, recording and rehearsing. 

Do you think your music appeals a particular demographic? Who, and why?

We have a large following in the LGBTQIA+ community in Australia and internationally. I don't think this is necessarily because of our music but more because we are really active in this community. Outside of that, I don't think there is really a niche that we appeal to - our audience is pretty varied.

In saying that, is there a particular demographic that you would like to engage with more?

We would love to reach out to the under 18's crowd a little more. We don't get many opportunities to play all ages shows and that's something that I think would be really great to do more of. I remember being a kid and not getting to go to many local shows because they were always 18+. It would be great to see more opportunities around for bands to connect with the a younger demographic

What do you think sets you apart from similar artists?

Writing and playing music is amazing, but for us we like to use our art to support causes we believe in. We are lucky enough to have a microphone and a stage, so we want to use that in a positive way. Where we can, we play to raise awareness or raise money for causes which do not tend to get much attention from mainstream media. 

You recently returned from tour in Japan… What was different about the Japanese crowds, and was this positive or negative?

Japan was amazing! We fell in love with the people at each and every show. The main difference was that they went out to enjoy music. They would get to the show right on doors and stay until the last band finished. They would come and shake hands after we got off stage and even with the language barrier, they made every effort to tell us they enjoyed our music. The other major difference was playing with bands who were supportive and interested in watching all the performances. There was no ego, and it felt nice to be in an environment where everyone respected each other. 

Should we look forward to the release of a new EP or LP any time soon?

We definitely have plans for a new album this year!!

Do you have any shows coming up?

We are playing PUNK OUT WITH CAMP OUT on 18th Feb at The Annandale Hotel Sydney to launch our new single "Unbroken". That's our first show back for the year with a string of shows to follow. 

                                                                                                                                             

Thank you to Stacey, Danny, and the other members of Stellar Addiction for their time!

I would highly recommend everyone keeps their eyes and ears on Stellar Addiction's socials, so as not to miss anything!

~ Find Stellar Addiction on Facebook here , Twitter here , and Instagram here

~ Find them on Spotify here , Bandcamp here and Triple J Unearthed here

~ Watch their latest music video here 

ARTIST INTERVIEW: DOKO

DOKO are a seven-piece band hailing from Sydney. The intriguing indie band consists of Jared on lead vocals and guitar, Budo on lead guitar, Alex behind the kit, Tim on bass, 'Mad Dog' Mitch plays trombone, 'Cexy' Cypress plays saxophone, and lastly 'Bad Mon Tommygun' Tom on trumpet.

L to R: Jared, Alex, Tim & Budo - Photo by Claudia Lewis

They've been super productive since their formation in 2015, and guitarist Budo has given MusicMinded some insight into the genre-defying world of DOKO.

Okay, let’s ask the obvious… Where did ‘Doko’ come from? Is there a meaning to it, or is it something you just liked the sound of and picked at random?

DOKO was really just us putting together two syllables which sounded cool together. It kind of just stuck after awhile. It ended up having few different meanings, one being the word for “where” in Japanese. I have to say its an improvement from “Love Club”.

What roles do you take on within the band? Who writes the lyrics, melodies etc?
It’s a tricky one to answer because a lot of it is really collaborative. I write a few song ideas with melodies and maybe a chorus and then give to Jared to write some lyrics over it. I feel when I write lyrics for someone else it loses a bit of it’s authenticity, and some words sound different coming out of another person’s mouth. Jared has recently been sending me heaps of demos for stuff which I’m really excited by. One of the demos he’s sent me is probably my favourite song at the moment - I even put it on and listen to it in the car.

So usually we bring a song idea into rehearsals and let it loose. Alex finds a groove which sits nicely and he really takes control of the dynamics. He also has structural ideas and works out transitions between parts. Alex has also been really creative in the studio recently, using more percussive elements. He recorded this floor tom in a stairwell while we were recording with our producer Chris Rollans. It has this really cool Hans Zimmer vibe. I think I even have footage of it somewhere. Tim as usual drops some delicious bass lines. He’s really got a great ear, just picks up on chord progressions pretty quickly. He’s also recently been experimenting with effects and sounds which are going to appear on the upcoming E.P.

Where did the band form and what brought you together? What did you have in common?
We all formed at Uni, we seemed to have similar tastes in music. We shared a strong appreciation for Aussie music. It was during 2014 when all these new bands started appearing and blowing up into the mainstream. So that was something we were all in to. Then inevitably we all formed a band. Only a few months into our first handful of gigs we had a three-piece horn section. Tom from The Kava Kings had played trumpet for us on the last night of the residency gigs we had at the Captain Cook hotel. Then one rehearsal he brought along our soon to be Trombone player Mitch and Sax player Cypress. Every time we have the full ensemble on the stage it really takes us and the crowd to a new level. Having a three-piece horn section was something I never expected this early in our careers but its made our sound what it is today. Adds a whole new musical dimension to the songs we write.

L to R: Budo, Tim (obscured), Jared, Mitch, Tom (obscured) & Cypress - Photo by Matt Viesis

Now we know what you have in common… Is there anything you guys argue about?
The arguments only really seem to happen when we are writing, but its all a part of the process. We pull each other back into the centre if we drift too far out. We are all pretty experimental. It can be difficult but we always end up being really proud of the end product. I feel like if it wasn’t difficult, the music would be pretty bland and might lack focus.

Who would be the main influences for your sound and image? Are there any artists you look up to and take inspiration from?
Our influences have changed over the year since we’ve been playing gigs together. For me at least they were, The Red Hot Chili Peppers, The Police and a band with particularly sticky appendages. The horns have definitely played a huge part in the evolution of our sound and our influences. People at shows say they get a Fat Freddy’s Drop vibe when the horns go off in some songs. So we’ve recently broadened our horizons and I feel like we’ve established an individual sound, which sounds like DOKO (I hope).

Do you have any pre-show rituals or routines?
We always seem to jam during the line check/ sound check. Gets us moving a bit and seems to draw the crowd in a bit before we kick off.

What really stood out to you about the best crowd you have ever played to?
Recently we played a small festival in Braidwood called Subpar, put on by the good people at Dinosaur Records. A lot of the punters were from South Sydney like Sutho and Cronulla. They seem to have a really strong appreciation for live music down there, and they get pretty f***ing rowdy. I remember we were playing around 11:30pm. There were people falling on the stage knocking cables, and kicking up a bit of a dust cloud. People were also singing the words to our single Indigo which was a great feeling. We got to do an encore and we whipped out a cover of The Police’s, ‘Walking on the Moon’. Jared’s guitar cut out mid-song and he just went, f*** it, took it off and went full Super Saiyan rock star. He got down into the crowd with the mic and came out covered in dust still managing to belt out the words in unison with the crowd. Everyone felt this wave of excitement, for no real discernible reason. It was like we had this swaggering front-man fall out of a 1970s time machine and land on stage. It was a great moment for us, gave us a bit of inspiration to keep aiming for bigger and greater things.

The next day we had a gig in Wollongong late Sunday afternoon. We played to this massive courtyard with probably only around 30 people. It was definitely a contrast to the night before, brought us back into reality a bit. I also remember getting an incredible chicken schnitzel and chips off the band’s bar tab. Best decision I made the whole trip.

L to R: Budo, Jared, Tim, Mitch, Tom & Cypress - Photo by Matt Viesis

What is your favourite venue to play at and why?
Not sure yet, I feel like every time we’ve played at the Brass Monkey in Cronulla the sound and lights have been good and there’s always a crowd.

If you could headline alongside any band or artist, dead or alive, who would it be?
Cold Chisel ;)

What are the best and worst things about being in a band?
The best thing about it is having to collaborate with other people, and the worst thing about it is also, having to collaborate with other people.

What’s the reception of your last single, ‘Indigo’, been like?
It was really just meant to be a song to have out there which represents what we’re about. Its about five and a half minutes long so we didn’t think it would get any airtime, but it did end up getting a spin on FBi radio. On Soundcloud it has racked up around 1,300 plays and we have a few hundred downloads from Bandcamp and JJJ Unearthed. So its good to know people are listening. We also notice people are singing the words at our gigs, particularly in the pre-chorus. Its always a good feeling when that happens.

What can your fans and new listeners alike expect from your upcoming releases?
We are looking to put out a 5 track EP which is pretty much 90% recorded. So you can expect that pretty soon. What I like about it is that no two songs are the same, they all have their own personalities. I still feel like songs also sound like they belong together on a record, despite their range of influences. As a small detail which I’m excited about, is that on two of the songs we whacked on some 12 string guitar, which is a new flavour for us. Sounds like The Church, circa 1980s.

When and will recording of the new material start, and when are you aiming to release it?
We recorded the majority of it a few weeks before New Years, hoping to have it out the first half of this year.

Do you have any upcoming shows we should know about?
We have a handful of smaller gigs opening for a few bands coming up. 13th Jan at Oxford Art Factory with Swamp to Sahara, 23rd Jan playing at Newtown Social Club for Greyscale’s E.P. launch, and on the 8th of Feb we are hitting up Frankie’s Pizza playing for Florentine’s EP launch. There are a few more shows in the pipeline for February.

                                                                                                                                   

Thank you to Budo and the other members of DOKO for their time!

Keep your eyes and ears peeled for these guys - boy have they got some potential.

Find DOKO on Facebook here

Find links to DOKO's listening platforms and upcoming gigs in the above interview